{"id":182,"date":"2020-11-13T14:35:24","date_gmt":"2020-11-13T13:35:24","guid":{"rendered":"http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/?p=182"},"modified":"2020-11-28T15:17:26","modified_gmt":"2020-11-28T14:17:26","slug":"conference-program","status":"publish","type":"post","link":"http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/conference-program\/","title":{"rendered":"CONFERENCE PROGRAMME"},"content":{"rendered":"

MUSICOLOGY AND ITS FUTURE IN TIMES OF CRISES<\/h3>\n

BOOK OF ABSTRACTS (.pdf)<\/a><\/strong><\/p>\n

follow us on FB: https:\/\/www.facebook.com\/muzikolozi\/<\/a><\/strong><\/p>\n

 <\/p>\n

OVERALL SCHEDULE (all times given in CET)<\/p>\n

Wednesday, 25 November 2020<\/h5>\n\n\n\n\n
17:00<\/td>\nOPENING<\/span><\/strong><\/p>\n

KEYNOTE LECTURE<\/span><\/strong><\/td>\n<\/tr>\n

<\/td>\nNicholas Cook:<\/p>\n

Crisis, Which Crisis? What Music Tells Us, and How Music Can Help<\/em><\/a><\/p>\n

chair: Jelka Vukobratovi\u0107<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Thursday, 26 November 2020<\/h5>\n\n\n\n\n\n\n\n
9:30 \u2013 11:00<\/td>\nSESSION 1:<\/strong><\/span><\/p>\n

Lessons from Music Histor(iograph)y<\/em><\/strong><\/span><\/p>\n

chair: Ivan \u0106urkovi\u0107<\/p>\n

http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/session-1\/<\/a><\/td>\n<\/tr>\n

9:30 \u2013 10:00<\/td>\nErlend Hovland:<\/p>\n

Berlioz as Provocation to Music History: On the Institutionalisation of Musicology<\/em><\/td>\n<\/tr>\n

10:00 \u2013 10:30<\/td>\nJohn Vandevert:<\/p>\n

The Defence of Unbiased Musicology in the Wake of Modernisation: Learning from the Soviet Example and the Corrosive Power of Half-Truths<\/em><\/td>\n<\/tr>\n

10:30 \u2013 11:00<\/td>\nAmy Damron Kyle:<\/p>\n

A Call for Context: Pauline Viardot Garcia as a Template for Changing the 19th Century Musical Genius Archetype<\/em><\/td>\n<\/tr>\n

11:00 \u2013 11:15<\/td>\nCOFFEE BREAK<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n
11:15 \u2013 12:45<\/td>\nSESSION 2:<\/span><\/strong><\/p>\n

Critical Perspectives in Music Analysis<\/em><\/span><\/strong><\/p>\n

chair: Sanja Ki\u0161 \u017duvela<\/p>\n

http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/session-2\/<\/a><\/td>\n<\/tr>\n

11:15 \u2013 11:45<\/td>\nMonika Karwaszewska\u30fbHanna Dys:<\/p>\n

A Critical Source Edition of Mieczys\u0142aw Surzy\u0144ski\u2019s Concerto for Organ and Orchestra Op. 35 <\/em><\/td>\n<\/tr>\n

11:45 \u2013 12:15<\/td>\nKoichi Kato:<\/p>\n

Sonata Theory in the Age of ‘Post-Truth’<\/em><\/td>\n<\/tr>\n

12:15 \u2013 12:45<\/td>\nVioletta Kostka:<\/p>\n

Meaning of Music as Rescue for Musicology and Humanities<\/em><\/td>\n<\/tr>\n

12:45 \u2013 15:00<\/td>\nLUNCH BREAK<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n
15:00 \u2013 16:30<\/td>\nSESSION 3:<\/strong><\/span><\/p>\n

Musicology in the Expanded Field<\/em><\/strong><\/span><\/p>\n

chair: Zdravko Bla\u017eekovi\u0107<\/p>\n

http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/session-3\/<\/a><\/td>\n<\/tr>\n

15:00 \u2013 15:30<\/td>\nTatjana \u010cunko:<\/p>\n

How to Make Musicology More Visible with Help of Radio<\/em><\/td>\n<\/tr>\n

15:30 \u2013 16:00<\/td>\nJurij Dobravec:<\/p>\n

From Ladislav \u0160aban to the Future of Slovenian Organology<\/em><\/td>\n<\/tr>\n

16:00 – 16:30<\/td>\nLeon Stefanija\u30fbVanessa Nina Borsan\u30fbMatija Marolt\u30fbMatev\u017e Pesek:<\/p>\n

Challenges of Computational Musicology<\/em><\/td>\n<\/tr>\n

16:30 \u2013 16:45<\/td>\nCOFFEE BREAK<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n
16:45 \u2013 18:45<\/td>\nSESSION 4:<\/strong><\/span><\/p>\n

Facing the Artistic Turn: Musicology and Artistic Research<\/em><\/strong><\/span><\/p>\n

chair: Ana \u010cizmi\u0107 Grbi\u0107<\/p>\n

http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/session-4\/<\/a><\/td>\n<\/tr>\n

16:45 \u2013 17:15<\/td>\nAstrid Kvalbein:<\/p>\n

Artistic Research: New Epistemic Cultures in the Academy?<\/em><\/td>\n<\/tr>\n

17:15 \u2013 17:45<\/p>\n

 <\/td>\n

Marijan Tucakovi\u0107:<\/p>\n

Poetic Theories of Classical Music Performance: Introduction, References and (Practical) Considerations<\/em><\/td>\n<\/tr>\n

17:45 \u2013 18:15<\/td>\nChanda VanderHart\u30fbAbigail Gower:<\/p>\n

Two [Ivory] Towers? Performers, Modern Musicological Thought and Relevance in Higher Education Settings<\/em><\/td>\n<\/tr>\n

18:15 \u2013 18:45<\/td>\nRolf B\u00e4cker:<\/p>\n

Musicology and Artistic Research \u2013 Competitors or Allies?<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Friday, 27 November 2020<\/h5>\n\n\n\n\n\n\n\n
9:30 \u2013 11:00<\/td>\nSESSION 5:<\/strong><\/span><\/p>\n

Musicology as a Political Act? Engaging with Arising and Recurring Crises<\/em><\/strong><\/span><\/p>\n

chair: Mojca Pi\u0161kor<\/p>\n

http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/session-5\/<\/a><\/td>\n<\/tr>\n

9:30 \u2013 10:00<\/td>\nJelka Vukobratovi\u0107:<\/p>\n

Ethnomusicological Nationalism and its Innocence in Times of Crisis<\/em><\/td>\n<\/tr>\n

10:00 \u2013 10:30<\/td>\nBranislav Stevani\u0107:<\/p>\n

A Scattered Protesting Mass During the Belgrade Spring Lockdown: Ethnomusicological Reflections on Sound Protests<\/em><\/td>\n<\/tr>\n

10:30 \u2013 11:00<\/td>\nMartina Brati\u0107:<\/p>\n

What’s Been Going on with Feminist Musicology Lately?<\/em><\/td>\n<\/tr>\n

11:00 \u2013 11:15<\/td>\nCOFFEE BREAK<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n
11:15 \u2013 12:45<\/td>\nSESSION 6 (panel):<\/span><\/strong><\/p>\n

Musicology as a “Small Discipline”: The Example of the Department of Musicology in Zagreb <\/em><\/span><\/strong><\/p>\n

http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/session-6\/<\/a><\/span><\/td>\n<\/tr>\n

<\/td>\nIvan \u0106urkovi\u0107:<\/p>\n

Minority Complexes and “Small” Musicologies<\/em><\/td>\n<\/tr>\n

Ana \u010cizmi\u0107 Grbi\u0107:<\/p>\n

The Challenges of Doing Research and Teaching Musicology<\/em><\/td>\n<\/tr>\n

Monika Juri\u0107 Janjik:<\/p>\n

Teaching Musicology: Growing Without “Growing Up”<\/em><\/td>\n<\/tr>\n

12:45 \u2013 15:00<\/td>\nLUNCH BREAK<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n
15:00 \u2013 16:30<\/td>\nSESSION 7:<\/span><\/strong><\/p>\n

Writings on Music: Critical Thought and Literary Testimonies<\/em><\/span><\/strong><\/p>\n

chair: Monika Juri\u0107 Janjik<\/p>\n

http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/session-7\/<\/a><\/td>\n<\/tr>\n

15:00 \u2013 15:30<\/td>\nNata\u0161a Marjanovi\u0107:<\/p>\n

Literary History and Musical Historiography: From Fundamental to Interdisciplinary Research<\/em><\/td>\n<\/tr>\n

15:30 \u2013 16:00<\/td>\nJelena Sviben:<\/p>\n

Adorno as a Paradigm? The Case of Music Criticism in Croatia<\/em><\/td>\n<\/tr>\n

16:00 \u2013 16:30<\/td>\nSusanne Kogler:<\/p>\n

Aesthetic Experience and the Political Relevance of Art: Reconsidering Musicology with Hannah Arendt and Theodor W. Adorno<\/em><\/td>\n<\/tr>\n

16:30 \u2013 16:45<\/td>\nCOFFEE BREAK<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n
16:45 \u2013 18:45<\/td>\nSESSION 8:<\/strong><\/span><\/p>\n

Present and Future Crises of Academic Labour in (Ethno)musicology<\/em><\/strong><\/span><\/p>\n

chair: Jelka Vukobratovi\u0107<\/p>\n

http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/session-8\/<\/a><\/td>\n<\/tr>\n

16:45 \u2013 17:15<\/td>\nAna Hofman\u30fbMojca Kova\u010di\u010d\u30fbUr\u0161a \u0160ivic<\/p>\n

Where Would We Go with This Ethnomusicology? About Institutional Status, Disciplinary Divisions and Neoliberalization of Academic Labour in Slovenia<\/em><\/td>\n<\/tr>\n

17:15 \u2013 17:45<\/td>\nMojca Pi\u0161kor:<\/p>\n

Slow Science Utopia: Privatised Anxieties, Gender and Academic Labour in Contemporary Croatian (Ethno)Musicology<\/em><\/td>\n<\/tr>\n

17:45 \u2013 18:15<\/td>\nBianca \u0162iplea Teme\u015f:<\/p>\n

“Make Romanian Musicology Great Again!”\u2026 Working in the Doctorate Factory<\/em><\/td>\n<\/tr>\n

18:15 \u2013 18:45<\/td>\nIva Neni\u0107:<\/p>\n

“The Winds of Change”: Paradigm Shifts in Contemporary (Serbian) Ethnomusicology<\/em><\/td>\n<\/tr>\n

18:45 \u2013 19:30<\/td>\nCOFFEE BREAK<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
19:30<\/td>\nCONCERT: Jaman Suara Gamelan Ensemble<\/a><\/p>\n

YouTube: https:\/\/bit.ly\/35fVar9<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Saturday, 28 November 2020<\/h5>\n\n\n\n\n\n\n\n
9:30 \u2013 11:00<\/td>\nSESSION 9:<\/strong><\/span><\/p>\n

Psychological Aspects of Musicology<\/em><\/strong><\/span><\/p>\n

chair: Ingrid Pustijanac<\/p>\n

http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/session-9\/<\/a><\/td>\n<\/tr>\n

9:30 \u2013 10:00<\/td>\nSanja Ki\u0161 \u017duvela:<\/p>\n

How Musicological Is the Psychology of Music? And How Far Does Our Knowledge Thereof Go?<\/em><\/td>\n<\/tr>\n

10:00 \u2013 10:30<\/td>\nL\u00e1szl\u00f3 Stach\u00f3<\/p>\n

Making Sense (and Relevance) of Data: The Cognitive Analysis of Performance<\/em><\/td>\n<\/tr>\n

10:30 \u2013 11:00<\/td>\nBlanka Bogunovi\u0107:<\/p>\n

Psychological Approach to Contemporary Art Music: The ‘Composer \u2013 Audience’ Communication<\/em><\/td>\n<\/tr>\n

11:00 \u2013 11:15<\/td>\nCOFFEE BREAK<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n
11:15 \u2013 13:45<\/td>\nSESSION 10:<\/strong><\/span><\/p>\n

Thinking Crisis<\/em><\/strong><\/span><\/p>\n

chair: Leon Stefanija<\/p>\n

http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/session-10\/<\/a><\/td>\n<\/tr>\n

11:15-11:45<\/td>\nDalibor Davidovi\u0107:<\/p>\n

Eva Sedak, a Musicologist in Times of Crises <\/em><\/td>\n<\/tr>\n

11:45-12:15<\/td>\nSanela Nikoli\u0107:<\/p>\n

Considering a Global Perspective: The Case of <\/em>Musicological Brainfood<\/td>\n<\/tr>\n

12:15-12:45<\/td>\nJan Giffhorn:<\/p>\n

The Perks of Being Post-Factual: Fiction and Research in Musicology<\/em><\/td>\n<\/tr>\n

12:45 \u2013 15:00<\/td>\nLUNCH BREAK<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n
15:00 \u2013 16:30<\/td>\nSESSION 11:<\/strong><\/span><\/a><\/p>\n

… and Its Future(s)…? <\/em><\/strong><\/span><\/p>\n

chair: Dalibor Davidovi\u0107<\/p>\n

http:\/\/www.muza.unizg.hr\/zgmusicology50\/en\/session-11\/<\/a><\/td>\n<\/tr>\n

15:00 \u2013 15:30<\/td>\nZdravko Bla\u017eekovi\u0107:<\/p>\n

Advancing Communication in Global Musicology: RILM\u2019s Social Responsibility<\/em><\/td>\n<\/tr>\n

15:30 \u2013 16:00<\/td>\nSr\u0111an Atanasovski:<\/p>\n

Rhythmanalysis and (Post)Musicology: From <\/em>horror silentii to Social Distancing<\/em><\/td>\n<\/tr>\n

16:00 \u2013 16:30<\/td>\nRichard Parncutt:<\/p>\n

The Short Future of Musicology, and What We Can Do Before It Ends<\/em><\/td>\n<\/tr>\n

16:30 \u2013 17:00<\/td>\nCOFFEE BREAK<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
17:00<\/td>\nFINAL DISCUSSION<\/strong><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
19:30<\/td>\nCANCELLED!!!<\/span><\/strong><\/p>\n

CONCERT<\/strong><\/span>: ASMANGU \u2013 Academy of\u00a0Music Students’ Ensemble for\u00a0New Music<\/p>\n

YouTube: https:\/\/bit.ly\/35fVar9<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

ACCESS:<\/p>\n